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QUESTION 126
When should you use a Raw Track Type?
A. when your Motion Target is not available
B. when you are using Camera Raw footage as your motion source
C. when you want to apply a fast, simple motion track to the position of another layer
D. when you want the tracker to affect the anchor point of a layer, instead of its position
Correct Answer: A
QUESTION 127
Which statement choosing the Layer > Frame Blending > Pixel Motion command is true?
A. It is faster to render than the Frame Mix method.
B. It produces new frames of video by duplicating existing frames.

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QUESTION 117
Click the Exhibit button.
You create the composition shown in the exhibit. You want to play the movie inside the foot and use the
beach image as the background.
What should you do?
A. choose Alpha Matte Foot in the TrkMat Column on the Surf Movie layer
B. choose Luma Matte Foot in the TrkMat Column on the Surf Movie layer
C. choose Alpha Inverted Matte Foot in the TrkMat Column on the Surf Movie layer
D. choose Luma Inverted Matte Foot in the TrkMat Column on the Surf Movie layer

Correct Answer: D
QUESTION 118
When should you use a Silhouette Alpha?

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QUESTION 96
Click the Exhibit button.
Your project will be output to film and contains a sequence where images fly from behind and through the center of a candle flame. You are working with HDR footage. Upon viewing the final output your shadows appear to lack detail.
What should you do?

A. open the Project Settings dialog box and select Depth 16 bits per channel
B. open the Project Settings dialog box and select Depth 32 bits per channel
C. open the Project Settings dialog box and select the Linear Blending option D. open the Project Settings dialog box and select Working Space: sRGB IEC6 1966-2.1

Correct Answer: B QUESTION 97
You want to edit a motion path directly in the Composition window. As you advance through your composition, you notice that you can no longer access the motion path at the beginning of the timeline. What should you do?
A. choose Edit > Preferences > Display and select All Keyframes
B. choose Edit > Preferences > General and select Synchronize Time of All Related Items
C. choose Edit > Preferences > Memory & Cache and increase the Maximum RAM Cache Size
D. choose Edit > Preferences > General and select Preserve Constant Vertex Count when Editing Masks

Correct Answer: A QUESTION 98
Click the Exhibit button.

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QUESTION 86
You want to smooth out changes in speed across keyframes. To accomplish this, you should set _____ in the Keyframe Interpolation dialog box.
A. Spatial Interpolation to Linear
B. Temporal Interpolation to Linear
C. Spatial Interpolation to Auto Bezier
D. Temporal Interpolation to Auto Bezier

Correct Answer: D QUESTION 87
How do you undock a panel?

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QUESTION 52
Which statement about a layer using the Preserve Underlying Transparency option is true?
A. It borrows the alpha channel from the layers below it.
B. It only works properly if the layer below it is NOT using the Silhouette Alpha transfer mode.
C. It preserves the transparency of a layer when using any effect that operates on its alpha channel.
D. It only works properly if there are NO other layers in the composition with the same option enabled.

Correct Answer: A QUESTION 53
You import a logo that was saved as an Adobe Illustrator file. When you first place the logo in a composition, it appears to be high quality. After scaling the artwork by 400%, you notice the edges of the logo appear jagged and bitmapped. Which layer switch should you choose to correct this?

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